Conference Room Lighting Design: 5 Smart Ideas: Field-tested lighting ideas for clearer screens, calmer rooms, and camera-ready meetings—without blowing the budget.Avery LinSep 29, 2025Table of ContentsIdea 1: Layer scenes, not just fixturesIdea 2: Tunable white + low glare equals happier eyesIdea 3: Design for the camera, not just the roomIdea 4: Tame daylight and elevate the wallsIdea 5: Coordinate lighting with AV and acousticsFAQTable of ContentsIdea 1 Layer scenes, not just fixturesIdea 2 Tunable white + low glare equals happier eyesIdea 3 Design for the camera, not just the roomIdea 4 Tame daylight and elevate the wallsIdea 5 Coordinate lighting with AV and acousticsFAQFree Room PlannerDesign your dream room online for free with the powerful room designer toolStart for FREELast year a CEO asked me to “make the boardroom feel like a lounge,” then parked a glossy TV wall under a crystal chandelier—instant glare. We fixed it by rethinking layers and revisiting our office layout ideas, not buying pricier fixtures. That day reminded me small rooms can spark big creativity, especially when lighting does the heavy lifting. Here’s how I tackle conference room lighting, distilled into 5 ideas I’ve tested again and again.Idea 1: Layer scenes, not just fixturesI start with three layers: soft ambient (uniform ceiling lights), targeted task (pendants or downlights over the table edges), and subtle accent (wall wash on artwork or brand walls). Put them on separate circuits and create presets like “Presentation,” “Discussion,” and “Video Call.”It feels luxurious without being flashy, and it keeps focus where you need it. The trade-off is a slightly higher control cost and careful commissioning—but once clients use scenes, they never go back.save pinIdea 2: Tunable white + low glare equals happier eyesTunable white (around 3000–5000K) lets you warm things up for workshops and cool down for detail-heavy reviews. Aim for 300–500 lux on the table, CRI 90+, and keep UGR below 19 with microprismatic lenses or indirect distribution to avoid shiny-forehead moments.Matte finishes on tables and walls help, too. If tunable is out of budget, 3500–4000K fixed CCT with good dimming still feels crisp and professional.save pinIdea 3: Design for the camera, not just the roomHybrid meetings changed everything. Give faces gentle front-fill (slightly above eye level), keep vertical illuminance on participants around 150–300 lux, and avoid strong downlights directly overhead that carve raccoon shadows.I mock up face lighting and background balance with quick 3D renderings so the team can see how they actually look on camera. Use flicker-free drivers, high R9 for natural skin, and a soft wall wash behind speakers to separate them from the background—your video calls will instantly feel more “studio” and less “basement.”save pinIdea 4: Tame daylight and elevate the wallsDaylight is wonderful until it blinds the audience or washes out the screen. I pair motorized shades with daylight sensors so ambient trims down gracefully, and I rely on wall washing to make the space feel bright without nuking the display.Light the vertical surfaces—your room reads larger and calmer. Just plan shade pockets and wiring early; retrofits can get messy fast.save pinIdea 5: Coordinate lighting with AV and acousticsLights shouldn’t fight microphones or cameras. I keep luminaires clear of camera sightlines, specify silent drivers, and often use acoustic baffles with integrated light to cut echo without darkening the room.Think about maintenance and emergency egress from day one, too. When I’m exploring variations fast, I test multiple layouts with AI interior concepts before the electrician touches a wire—cheaper than change orders and a lot less drama.save pinFAQWhat is the ideal brightness for a conference room?For most meetings, target 300–500 lux on the table with good uniformity, plus 150–300 lux vertically on faces for camera clarity. Layered control lets you tweak for presentations or workshops without fatiguing the eyes.Should I use warm or cool lighting in meeting rooms?For collaboration and general use, 3500–4000K feels focused yet comfortable. If your team does a lot of demos or video, tunable white (3000–5000K) gives flexibility across tasks and time of day.How do I prevent glare on screens?Place fixtures outside the primary reflection angle, use low-UGR optics, and favor matte surfaces near displays. Add shades to control daylight and consider an accent wall behind the screen to balance contrast.What is UGR and why does it matter?UGR (Unified Glare Rating) estimates discomfort from luminaires in a space. Aim for UGR ≤ 19 in conference rooms to reduce eye strain—your team will stay focused longer.How do I light for video conferencing without looking flat?Provide soft front-fill, a gentle backlight or wall wash for separation, and avoid harsh top-down hotspots. Keep flicker-free drivers and CRI 90+ so skin tones look natural on camera.Do I really need tunable white, or is dimming enough?Dimming with a well-chosen fixed CCT often suffices. Tunable white shines when your space hosts varied activities—brainstorms, training, and on-camera sessions that benefit from different tones.How should I integrate daylight with artificial lighting?Use shades to manage glare and daylight sensors to trim electric light near windows. Maintain consistent vertical illumination so people remain evenly lit on camera even as sun conditions change.Which standards should I reference for conference room lighting?Check ANSI/IES RP-1-20 (Lighting for Offices) for illuminance and glare benchmarks, and WELL v2 (L04–L07) for visual comfort and color quality targets. These give clear, evidence-based thresholds to design against.save pinStart for FREEPlease check with customer service before testing new feature.Free Room PlannerDesign your dream room online for free with the powerful room designer toolStart for FREE